Fencing ..
the Duel For Deftness
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Sam Breeze throttled back on his snazzy new HelioJetter, the latest two-seater sport jetabout. He settled the tiny craft on the rooftop jetter pad at Max Thorn's InnerSpace MindGym, ISMG. Sam's previous full-passage Earth Trip had been in a cruder era, but he had made his useful mark in that lifetime. He'd been a pretty good portrait artist and had invented the telegraph which had revolutionized outer-world communication at the time. He came out of each lifetime with a deeper conviction that art had an essential part in any constructive endeavor.
Art, fencing, and invention all shared a creative quality or posture that Max coaxed into your body's and psyche's muscle memory by merrily hollering or hissing “Au point” at you for an hour every instant your body and mind lost the perfect deft balance good fencing requires. “Au point.” (Oh pwa-n. The 'a-n' sound is like the beginning of 'angle' just before you put the 'ng' sound on.) Poised. Equally ready to pounce or to retreat. Not relaxed, but not tense. It is this deft state that Max cajoled and bullied his fencers into maintaining. Properly performed, it became nearly effortless.
Sam grimaced cheerfully at the memory of the early days when he'd all but collapsed from the effort to make no effort. Learning like a butterfly to let his attention alight on things, to hover like a hummingbird sipping nectar.
“Breeze,” Max would hiss suddenly behind his left ear, “Are you a humming bird? Do you skim like a swallow? Are you a zephyr?” Christ no, Sam would think, I'm a waterlogged, weak-kneed, lily-livered lump. At first, all these alertness exercises made him feel even less competent, kindergarten awkward. Perhaps it was not worth feeling this ridiculous?
“Dogs waste effort, cats waste none,” Max would insist. “Purr. Cats are always balanced, au point, poised. Watch them and admire. Learn.” The thing Sam liked best about Max was his refusal to guru. “I'm just a technician, kid. A batting coach. Keep your eye on the ball. Everything is a ball,” he'd cackle. Wise guys always cackle.
In fencing, your weight is not on either foot. It goes straight down from the top of your head through your spine down between your two widespread feet. Though this position is physically useful in fencing, the au point, poised attitude is also always required in order to live vividly. Alert.
With his white canvas fencing jacket open, Sam waited for his turn on the piste, the arm-span-wide special fencing strip laid out on the Gym floor. He recalled when he had learned to fly in his own body in the less-dense Realms of Experience, and the first time he had levitated in his own room at home. What both adventures had in common was an un-gravity, a not-grasping, a not-clenching.
Levitating, he had floated up like some large Macy's Thanksgiving Day Parade balloon and bounced gently off the ceiling, feeling at once delighted, incredulous, and entirely a fool. He was like a baby in this action. He couldn't control his motion yet. When he flew in dreams, he had careened and hurtled, and when he was about to run into a wall or a mountainside, he would flinch, duck, but dream-crashing never hurt anything except his terran pride and expectations. He got grace when he stopped trying so hard.
ISMG, the InnerSpace MindGym, was for people who found samuraiing a tad belligerent. All the disciplines and arts sought the Zone. The monk who illuminated the manuscript, the baseball player who had to concentrate but must not squeeze the bat too tight, the fencer on guard. The Zone.
ISMG with a certain glee disdained 'peak experiences,' that treasure hunt of the previous century. Max had put his huge ruddy hooked nose up to the end of Sam's aquiline one and gazed owlishly at him, “Bloody hell, kid,” he whispered, “I want a peak life.”
ISMG made every client keep a journal to remind them that all action, all repose was equally a chance to practice or perfect being au point, lightly intent. “If you can't do it washing the dishes, y'ain't gonna suddenly do it here on the piste,” Max chided. Like a photograph, each action has to become focused.
Sam thought that perhaps our blessed eyes were too well-engineered for our own good. If we actually had to “manually” focus our nifty dual full-color, 3-D bio-cameras on the front of our faces, we might better appreciate the infinite adjustments of attention required to really focus on each thing. Visually we are lazy because it is done for us so automatically.
As Sam took his place on the piste, the special fencing strip on the Gym floor, drew up his fencing foil before his face, Max cried gleefully, “Au point, Mr. Breeze, au point! Deftly, please.”
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I assume Sam Breeze is the return of Samuel Finley Breese Morse?
I'll take a membership to the ISMG.
You're right that the nub of the trick is to get people to quit glamorizing the objects of their attention.
Yeah on Sam Breeze, tempsroulez. A tip of the hat to an eclectic guy.
One of my causes celebres is to get the grime around the light switch noticed-&-admired. All this discrimination against objects of attention leaves out the champagne from too much of a life. A more promiscuous attention is to be desired, as it were. It's all a sensual festival, a sursex fest. The more Gee Whiz & Wow, the more vaganzas you can detect, then you win the Life Game — a Game, thus, in a Navajo way, in which no one needs to lose for you to win.